There's a misunderstanding that electronica relies on consonance and formula while noise is pure chaos. Auditory art, like everything else, isn't birthed from a void: it isn't generated, but synthesized. Influences are gathered and then harvested, even if we're clueless to it. You can't know what you don't know, after all. In electronica and noise there has always been a give and take - a techno artist may interrupt his or her flow with a sample, a full-on rest in sound, or even a sonic blast, and a noise artist may indulge in rhythm and melody.
Appetite lives in this middle ground. The Brooklyn duo featuring Ciarra Black and Jane Chardiet pulls from industrial music and power electronics as much as electronica. Their debut EP on the consistently great Ascetic House NYC branch boasts dense electronic backrops laying a foundation for Chardiet's evocative, haunting vocals. The tape begins with the siren-song "Anxiety" a straightforward, sexy dance track. But then track "Bordeaux Gallow" comes and disturbs the fuck out of you with its startling, lurching beat and violently disorienting vocals - Chardiet screams and gags after lengthy pleas and moans.
The two-fold, unexpected nature makes the tape. It takes the listener for a trip through the joy of drug-littered, dimly-lit nightclubs, but also makes sure not to pass over the fear, the clenched jaw, and the painful I-swear-my-body-has-nothing-left-to-vomit nausea from the comedown.